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The New Yorker

TWO HELEN HOKINSON NEW YORKER COVERS | 1949-1950 | Signed Original Illustrations | Collectible

TWO HELEN HOKINSON NEW YORKER COVERS | 1949-1950 | Signed Original Illustrations | Collectible

Regular price $89.99 USD
Regular price Sale price $89.99 USD
Sale Sold out

DESCRIPTION:

Excellent collection of two Helen Hokinson New Yorker covers from 1949-1950! Helen Hokinson was one of The New Yorker's most legendary and beloved artists. These are significant, highly collectible pieces from her catalog.

WHAT YOU'RE GETTING:

🎨 Two Original Magazine Covers (detached)

Cover #1: August 6, 1949

• Charming beach/seaside cottage scene
• Two elegantly dressed women admiring the ocean view and sailboats
• Decorated with beach collectibles, nautical items, and "Our Home" memorabilia
• Beautiful color palette with ocean blues and sandy tones
• Signed "Helen C. Hokinson"

Cover #2: June 10, 1950

• Vibrant carnival/county fair scene
• Crowds of visitors, ice cream stand, fortune teller tent
• Bustling, colorful composition capturing summer festival atmosphere
• Excellent detail and character work
• Signed "Helen C. Hokinson"

WHY THIS LOT IS SPECIAL:

⭐ HELEN HOKINSON — One of The New Yorker's most famous and beloved artists

⭐ Legendary Status — Comparable to Peter Arno in collectibility and influence

⭐ Both Signed — Artist signatures add significant premium

⭐ Thematic Variety — Beach scene and carnival scene; seasonal appeal

⭐ Excellent Condition — Vibrant colors, minimal wear

⭐ Historical Significance — Hokinson's work is increasingly collectible; she died in 1949

⭐ Premium Artist Tier — These are serious, investment-quality pieces

ABOUT HELEN HOKINSON:

Helen Hokinson (1893-1949) was a legendary New Yorker cartoonist who defined an era:

• Master of social satire — particularly women's club culture and feminine perspectives
• Iconic character work — warm, observant, wickedly funny
• Legendary status — One of The New Yorker's most celebrated artists
• Tragic historical note — Died in plane crash, November 1, 1949 (makes her work finite and more collectible)
• Serious collector demand — Her covers command premium prices
• Influence on illustration — Helped define The New Yorker's aesthetic

Note: The June 1950 cover was published posthumously, adding historical significance.

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